Powerful Female Leads: Looking at the Classics
by
R.F. Gammon
- January 20, 2020
Normally, when we think about women in classic novels, we think about demure side characters in a man's story, or maybe of independent and fierce girls who end up obediently married by the end (think Jo March or Laura Ingalls Wilder, although I don't mind them at all or their marriges--but it's kind of a trope).
This is something that's important in the classics, but I want to take a minute to argue that modern YA books were NOT the beginning of interesting female characters. Unique, strong women existed back then, too. And studying them can give us, as modern writers, some ideas on how to be better with writing our own characters.
Here are some important traits to writing a good female lead:
A good female lead is savvy, capable, and powerful--WITHOUT putting down the men around her. (Dagny, Atlas Shrugged)
Atlas Shrugged is a controversial book because of its opinions on capitalism and the Gilded Age, but let's set that aside for a minute to look at its protagonist. A book written by a woman with a female lead, Atlas Shrugged tells the story of Dagny Taggart, a strong-willed and savvy woman who runs a railroad company. The rest of the main cast is largely comprised of a group of strong men who run their own companies.
However, Dagny never outshines the other characters. Even though she's one of the only powerful women in the story, she has that position because she is capable and smart and SHOWN to be so. The audience isn't just told that she's strong, and she isn't just portrayed next to buffoons (although there are plenty of those in the book).
This is a key to making a good female lead. The Ghostbusters approach doesn't work. Show your gal being strong next to others of both genders. One really compelling scene in Atlas Shrugged involves Dagny being a comforting force to another distraught woman. She also holds her own next to powerful men.
Portray ALL your characters as strong, and then show us how they are, rather than telling us. Don't just inform the reader that your female lead is an imposing force. Show us that she is. Make us believe it.
However, Dagny never outshines the other characters. Even though she's one of the only powerful women in the story, she has that position because she is capable and smart and SHOWN to be so. The audience isn't just told that she's strong, and she isn't just portrayed next to buffoons (although there are plenty of those in the book).
This is a key to making a good female lead. The Ghostbusters approach doesn't work. Show your gal being strong next to others of both genders. One really compelling scene in Atlas Shrugged involves Dagny being a comforting force to another distraught woman. She also holds her own next to powerful men.
Portray ALL your characters as strong, and then show us how they are, rather than telling us. Don't just inform the reader that your female lead is an imposing force. Show us that she is. Make us believe it.
A good female lead has multiple aspects that make her strong, both internally and externally (Dounia, Crime and Punishment)
In Crime and Punishment, there are a number of characters who seem like they only exist as an archetype...only to turn around and be far more than that. The drunk best friend, for instance. However, the character we're going to look at here is the protagonist's sister, Dounia.
Dounia starts out the book as a side character who's about to marry a rich man so that her brother can keep going to college. Sounds like our typical classic girl. But when you meet her you find that she has her own hopes and dreams. She's getting married because of her love for her family and for NO other reason. She's actively looking for a different solution. And then, when this guy gets her backed into a corner and things are looking risky for her--she literally reaches into her coat and pulls out a PISTOL. I literally screamed when this happened. I still fangirl softly every time I think about it.
Dounia is strong both emotionally and physically, and she's full of surprises and layers. This is how to build a female character just like a male character--give them LAYERS.
Dounia starts out the book as a side character who's about to marry a rich man so that her brother can keep going to college. Sounds like our typical classic girl. But when you meet her you find that she has her own hopes and dreams. She's getting married because of her love for her family and for NO other reason. She's actively looking for a different solution. And then, when this guy gets her backed into a corner and things are looking risky for her--she literally reaches into her coat and pulls out a PISTOL. I literally screamed when this happened. I still fangirl softly every time I think about it.
Dounia is strong both emotionally and physically, and she's full of surprises and layers. This is how to build a female character just like a male character--give them LAYERS.
A good female lead sticks to her convictions even when it's tough. (Jane, Jane Eyre)
We all know Jane Eyre's story. Met a man, fell in love with him, and then turned him down because of her morals. (Personally, I am creeped out by Rochester, but that isn't the point of this. The point of this is Jane.)
Jane Eyre is strong not because she could punch people, or because she can lead an army, or for any other reason. She's strong because she has a strong moral code and she sticks. To. It. She's powerful in her heart.
Internal strength! It's an underrated part of a strong female character. Add it in. Heavily. Not just a sprinkle. Take the bucket and dump it out. Even if she can't swing a sword, give her a heart of steel.
Jane Eyre is strong not because she could punch people, or because she can lead an army, or for any other reason. She's strong because she has a strong moral code and she sticks. To. It. She's powerful in her heart.
Internal strength! It's an underrated part of a strong female character. Add it in. Heavily. Not just a sprinkle. Take the bucket and dump it out. Even if she can't swing a sword, give her a heart of steel.
A good female lead saves her partner--and lets him save her. (Marguerite, The Scarlet Pimpernel)
(I assume most of y'all have read TSP, but I won't be giving any spoilers here so...yeah).
Marguerite, the heroine in TSP, is just a normal girl, and she has to both save and be saved by her partner. This isn't a "girl saves herself," nor a "boy saves his damsel in distress". It depends entirely on the situation, and it's beautiful. One or the other can do the saving, and it's important to remember that. No one wants a girl who saves herself, if we're being honest. We want people who help each other. Sometimes she can save herself. Sometimes she saves her boy. And sometimes... he can save her.
It's all about balance.
Who are some of your favorite women in the classics? Do you like any of these girls? Give me your thoughts in the comments--I'd love to know what you all have to say on this topic!



































